{"id":8639,"date":"2022-12-04T12:52:30","date_gmt":"2022-12-04T11:52:30","guid":{"rendered":"https:\/\/robertlapoujade.com\/bibliographie\/"},"modified":"2023-03-01T07:35:31","modified_gmt":"2023-03-01T06:35:31","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/robertlapoujade.com\/en\/bibliography\/","title":{"rendered":"Bibliographie"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"8639\" class=\"elementor elementor-8639 elementor-697\">\n\t\t\t\t<div class=\"elementor-element elementor-element-97555ae e-flex e-con-boxed e-con e-parent\" data-id=\"97555ae\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-eb7a668 elementor-widget elementor-widget-heading\" data-id=\"eb7a668\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Bibliography<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-203e0cd e-flex e-con-boxed e-con e-parent\" data-id=\"203e0cd\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-562cf8f8 e-flex e-con-boxed e-con e-parent\" data-id=\"562cf8f8\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-50feb840 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"50feb840\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>PAINTING:<\/strong><\/p><p>FERRIER, Jean Louis,\u00a0<strong><em>Lapoujade ou les m\u00e9canismes de signification<\/em><\/strong>, Temps Modernes, Paris, 1961<br \/>CABANNE, Pierre,\u00a0<strong><em>Le Midi des Peintres<\/em><\/strong>, collection Tout par l\u2019Image, Hachette, Paris , 1964<br \/>DUFRENNE, MIKEL, <em><strong>De l\u2019expressivit\u00e9 de l\u2019 art abstrait. A propos d\u2019une exposition sur Lapoujade<\/strong><\/em>, dans Esth\u00e9tique et philosophie, t.1, Klincksieck, Paris, 1967<br \/>HUYGUE, Ren\u00e9, RUDEL, Jean,\u00a0<strong><em>l\u2019Art et le monde moderne<\/em><\/strong>, Larousse, Paris ,1970<br \/><strong><em>Dictionnaire des artistes contemporains<\/em><\/strong>, La Connaissance S.A., Bruxelles, 1972<br \/>XURIGUERA, G\u00e9rard,\u00a0<strong><em>Regard sur la peinture contemporaine<\/em><\/strong>, Arted, 1983<br \/>KLEIN, Robert,\u00a0<strong><em>La forme et l\u2019intelligible<\/em><\/strong>, Gallimard, Paris, 1983<br \/>CNAP\/CENTRE GEORGES POMPIDOU,\u00a0<strong><em>Ab\u00e9c\u00e9daire des films sur l\u2019art moderne contemporain<\/em><\/strong>, 1985<br \/>HARAMBOURG, Lydia,\u00a0<strong><em>Dictionnaire des peintres de l\u2019\u00c9cole de Paris 1945-1965<\/em><\/strong>, Ides et Calandes, 1993<br \/>SCHURR, G\u00e9rard,\u00a0<strong><em>Le Guidargus de la peinture<\/em><\/strong>, Ed. L\u2019Armateur, 1993<br \/>BENEZIT, Emmanuel,\u00a0<strong><em>Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs<\/em><\/strong>, Gr\u00fcnd, 1999<br \/>DELARGUE, Jean Pierre,\u00a0<strong><em>Dictionnaire des arts plastiques modernes et contemporains<\/em><\/strong>, Grund, 2001<br \/>BRUN, Catherine, Penot-Lacassagne, Olivier,\u00a0<strong><em>Engagements et d\u00e9chirements \u2013 Les intellectuels et la guerre d\u2019Alg\u00e9rie<\/em><\/strong>, Ed. Gallimard\/IMEC, Paris, 2012<br \/>STORA, Benjamin et AMIRI, Linda,\u00a0 direc.,\u00a0<strong><em>Alg\u00e9riens en France 1954-1962, la guerre, l\u2019exil, la vie<\/em><\/strong>, Ed. Autrement (Reproduction, manifestation 1961, encre de Chine) Paris, 2012<br \/>FRANGNE, Pierre-Henry, Figuration et abstraction :\u00a0<em><strong>Robert Lapoujade face \u00e0 la critique philosophique de Jean Hyppolite et Jean-Paul Sartre<\/strong><\/em>, colloque international Autour des figurations : critiques d\u2019art et artistes dans la France d\u2019apr\u00e8s-guerre, Universit\u00e9 de Toulouse II-Le Mirail, 2013\u00a0 \u00a0 \u00a0<u><a href=\"http:\/\/pierre.campion2.free.fr\/frangne_lapoujade.htm\">Lire l\u2019article \u2013 lien externe<\/a><\/u><br \/>ADAMSON, Nathalie,\u00a0<strong><em>Painting, Politics and the struggle for the Ecole de Paris 1944-1964<\/em><\/strong>, Farnham: Ashgate, England, 2016<br \/>SAISON, Maryvonne,\u00a0<strong><em>La nature artiste. Mikel Dufrenne de l\u2019esth\u00e9tique au politique<\/em><\/strong>, Paris, \u00e9dition de la Sorbonne, colle. Philosophie, 2018<br \/>WILSON, Sarah,\u00a0<strong><em>Figurations +\/-68, Le Monde visuel de la French Theory<\/em><\/strong>, Les presses du R\u00e9el, Dijon, 2018<br \/>GOUDAL, Emilie,\u00a0<strong><em>Les damn\u00e9s de l\u2019Histoire \u2013 Les arts visuels face \u00e0 la guerre d\u2019Alg\u00e9rie<\/em><\/strong>, Ed. Presse du R\u00e9el , Paris 2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6f951b44 elementor-widget elementor-widget-image\" data-id=\"6f951b44\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"600\" height=\"1200\" src=\"https:\/\/robertlapoujade.com\/wp-content\/uploads\/bibliographie-peinture.png\" class=\"attachment-large size-large wp-image-8155\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-71c3c9f5 e-flex e-con-boxed e-con e-parent\" data-id=\"71c3c9f5\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-18eb264 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"18eb264\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>CINEMA :<\/strong><\/p><p>DARZAK, Dominique, <strong>Lapoujade et la cam\u00e9ra peinture<\/strong>, Connaissance des Arts n\u00b0201, 1968<br \/>EIZYKMAN, Claudine, \u00ab <strong>La jouissance-cin\u00e9ma<\/strong> \u00bb, Ed. Union g\u00e9n\u00e9rale d\u2019\u00e9ditions, Paris, 1976<br \/>BASSAN, Raphael, Henebelle, Guy (dir), \u00ab\u00a0<em>Cin\u00e9ma d\u2019avant-garde, exp\u00e9rimental et militant\u00a0\u00bb<\/em>, <em><strong>Cin\u00e9 Action, 10-11<\/strong><\/em>, Ed. Papyrus, Paris, 1980<br \/>NOGUEZ, Dominique, <strong>Trente ans de Cin\u00e9ma exp\u00e9rimental en France (1950-1980)<\/strong>, A.R.C.E.F., 1982<br \/>NOGUEZ, Dominique, <strong>Le Cin\u00e9ma, autrement<\/strong>, Paris, \u00c9d. 10\/18,1977; nouvelle \u00e9dition, Ed. du Cerf , Paris, 1987<br \/>NOGUEZ, Dominique, <strong>\u00c9loge du Cin\u00e9ma exp\u00e9rimental d\u00e9finitions, jalons, perspectives<\/strong>, Mus\u00e9e National d\u2019Art Moderne, Centre Georges Pompidou; nouvelle \u00e9dition, Paris Exp\u00e9rimental, 1999.<br \/>LOWDER, Rose. <strong>Des Archives du film exp\u00e9rimental. Lieux de m\u00e9moire<\/strong>. 1895. Mille huit cent quatre-vingt-quinze. Revue de l\u2019association fran\u00e7aise de recherche sur l\u2019histoire du cin\u00e9ma [en ligne]. Octobre 2003, n\u00b041<br \/>BASSAN, Raphael, <em>\u00ab\u00a0Lexique formel, historique et affectif des ann\u00e9es 60-90\u00a0\u00bb<\/em>, BRENEZ, Nicole, LEBRAT, Christian (dir), <strong>Jeune, Dure et Pure ! une histoire du cin\u00e9ma exp\u00e9rimental et d\u2019avant-garde en France<\/strong>, Cin\u00e9math\u00e8que fran\u00e7aise, Mazotta, 2001<br \/>DEVILLE, Vincent, <strong>\u00ab\u00a0<\/strong><em><strong>(D\u00e9)composer le r\u00e9el : le court m\u00e9trage exp\u00e9rimental de 1945 \u00e0<\/strong><\/em><em> 1968\u2033<\/em><strong> : De l\u2019\u00e2ge d\u2019or aux contrebandiers<\/strong> <a href=\"https:\/\/books.openedition.org\/pur\/2088\">[en ligne]<\/a>. Presses universitaires <strong>de Rennes,<\/strong>\u00a0 Rennes, 2005<br \/>VIMENET, Pascal, <strong>Un ab\u00e9c\u00e9daire de la fantasmagorie<\/strong>, Ed. L\u2019Harmattan, Paris, 2015<br \/>COTTE, Olivier, <strong>Cent ans d\u2019animation<\/strong>, Ed. Dunod, Paris, 2015<br \/>BURNETT, Colin, \u00ab\u00a0Realism\u2019s new horizons: Roger Leenhardt\u2019s theoretical shift after Trois portraits d\u2019un oiseau qui n\u2019existe pas\/Three Portraits of a Bird that Doesn\u2019t Exist (Robert Lapoujade, 1963)\u00a0\u00bb, <strong>Studies in French Cinema,<\/strong> 18:4, 289-309, DOI: 10.1080\/14715880.2017.1332808, 2018<br \/>DUVIGNEAU, Michel, Jeune cin\u00e9ma 1960-1970, Ed. \u00c9coles des Loisirs, 2018<br \/>LELLIS, George, Le Socrate, <strong>Film Quarterly<\/strong>, Vol.23 n\u00b01, Ed. Universit\u00e9 des presses de Californie, 1969, <strong>en ligne 2020<\/strong><strong><br \/><\/strong>KAWA-TOPOR, Xavier, MOINS, Philippe, <strong>Stop Motion, un autre cin\u00e9ma d\u2019animation<\/strong>, Ed. Capricci, 2020<br \/>DENIS, S\u00e9bastien (dir.), <em><strong>Des mondes possibles, <\/strong><\/em>Le Service de la Recherche de la t\u00e9l\u00e9vision fran\u00e7aise et le cin\u00e9ma d\u2019animation, collection m\u00e9dias et Humanit\u00e9s, INA, 2022<br \/><br \/><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-214f5329 elementor-widget elementor-widget-image\" data-id=\"214f5329\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"600\" height=\"1500\" src=\"https:\/\/robertlapoujade.com\/wp-content\/uploads\/bibliographie-cinema.png\" class=\"attachment-large size-large wp-image-8156\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2850e37e e-flex e-con-boxed e-con e-parent\" data-id=\"2850e37e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-69720c45 elementor-widget elementor-widget-text-editor\" data-id=\"69720c45\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>COMMEMORATIVE EVENTS :<\/strong><\/p><p><strong>Hommage \u00e0 Robert Lapoujade<\/strong>, L\u2019Animath\u00e8que, Paris,1993<\/p><p><strong>Journ\u00e9es d\u2019\u00e9tudes Robert Lapoujade<\/strong>, organis\u00e9es par la NEF Animation, le CNC et l\u2019\u00c9cole Nationale Sup\u00e9rieure des Arts d\u00e9coratifs, Paris, 2021<br \/><span style=\"text-decoration: underline;\"><a href=\"https:\/\/robertlapoujade.com\/wp-content\/uploads\/Programme-journee-etude-LAPOUJADE-2021.pdf\" target=\"_blank\" rel=\"noopener\">Voir programme<\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5a2dcc36 e-flex e-con-boxed e-con e-parent\" data-id=\"5a2dcc36\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6e466f5f elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"6e466f5f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b385c99 elementor-widget elementor-widget-text-editor\" data-id=\"b385c99\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"><div class=\"elementor-widget-container\"><div class=\"elementor-element elementor-element-b385c99 elementor-widget elementor-widget-text-editor\" data-id=\"b385c99\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"><div class=\"elementor-widget-container\"><p><strong>Documentaries :<\/strong> <br \/><em><strong><span class=\"\">Le r\u00eave inachev\u00e9 des m\u00e9moires de Don Quichotte, <\/span><\/strong><\/em><span class=\"\">r\u00e9alisation David Carr-Brown, CNRS, 1981<\/span><em><strong>.<br \/>Robert Lapoujade<\/strong><\/em>, r\u00e9alisation Sarah Maldoror, 1984.<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1d373c04 elementor-widget elementor-widget-image\" data-id=\"1d373c04\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"479\" src=\"https:\/\/robertlapoujade.com\/wp-content\/uploads\/marionettes-quichotte-triptych.png\" class=\"attachment-large size-large wp-image-8133\" alt=\"\" srcset=\"https:\/\/robertlapoujade.com\/wp-content\/uploads\/marionettes-quichotte-triptych.png 1024w, https:\/\/robertlapoujade.com\/wp-content\/uploads\/marionettes-quichotte-triptych-768x359.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-bdf84 e-flex e-con-boxed e-con e-parent\" data-id=\"bdf84\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-465022ae elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"465022ae\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em><strong>Lapoujade ou la renaissance<br \/><\/strong><\/em>Documentaire r\u00e9alis\u00e9 par Christelle Vanderberghe, Atelier Varan, 1987<\/p><h4 style=\"text-align: right;\"><a href=\"https:\/\/www.ateliersvaran.com\/fr\/cinematheque\/lapoujade-ou-la-renaissance_422\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #ffffff;\">Voir le film &gt;<\/span>\u00a0\u00a0<\/a><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1469158e elementor-widget__width-initial elementor-widget elementor-widget-image\" data-id=\"1469158e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.ateliersvaran.com\/fr\/cinematheque\/lapoujade-ou-la-renaissance_422\" target=\"_blank\" rel=\"nofollow\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"781\" src=\"https:\/\/robertlapoujade.com\/wp-content\/uploads\/biblio-documentary.png\" class=\"attachment-large size-large wp-image-8154\" alt=\"\" srcset=\"https:\/\/robertlapoujade.com\/wp-content\/uploads\/biblio-documentary.png 1024w, https:\/\/robertlapoujade.com\/wp-content\/uploads\/biblio-documentary-768x586.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4feb9941 e-flex e-con-boxed e-con e-parent\" data-id=\"4feb9941\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d2b199e elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"d2b199e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b385c99 elementor-widget elementor-widget-text-editor\" data-id=\"b385c99\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"><div class=\"elementor-widget-container\"><div class=\"elementor-element elementor-element-b385c99 elementor-widget elementor-widget-text-editor\" data-id=\"b385c99\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"><div class=\"elementor-widget-container\"><p><strong>Une le\u00e7on de peinture<\/strong>, r\u00e9alisation Jean-No\u00ebl Delamarre, C.A.D. productions\/INA, 1991.<\/p><p><em><strong>Une Anthologie du Cin\u00e9ma d\u2019Animation en France, des ann\u00e9es 40 \u00e0 nos jours<\/strong><\/em><strong>,<\/strong> Ed. Chalet Pointu\/CNC, DVD 106, 2016. Pr\u00e9sentation de \u2018Trois portraits qui n\u2019existe pas\u2019 et d\u2019 \u2018Un com\u00e9dien sans paradoxe\u2019<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5aa47c76 elementor-widget elementor-widget-image\" data-id=\"5aa47c76\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"479\" src=\"https:\/\/robertlapoujade.com\/wp-content\/uploads\/marionettes-quichotte-triptych.png\" class=\"attachment-large size-large wp-image-8133\" alt=\"\" srcset=\"https:\/\/robertlapoujade.com\/wp-content\/uploads\/marionettes-quichotte-triptych.png 1024w, https:\/\/robertlapoujade.com\/wp-content\/uploads\/marionettes-quichotte-triptych-768x359.png 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Bibliography PAINTING: FERRIER, Jean Louis,\u00a0Lapoujade ou les m\u00e9canismes de signification, Temps Modernes, Paris, 1961CABANNE, Pierre,\u00a0Le Midi des Peintres, collection Tout par l\u2019Image, Hachette, Paris , 1964DUFRENNE, MIKEL, De l\u2019expressivit\u00e9 de l\u2019 art abstrait. A propos d\u2019une exposition sur Lapoujade, dans Esth\u00e9tique et philosophie, t.1, Klincksieck, Paris, 1967HUYGUE, Ren\u00e9, RUDEL, Jean,\u00a0l\u2019Art et le monde moderne, Larousse, &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-8639","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bibliographie - Robert Lapoujade<\/title>\n<meta name=\"description\" content=\"Peinture et Cin\u00e9ma + r\u00e9ception critique\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/robertlapoujade.com\/en\/bibliography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliographie - 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